偷心响叮当
奥利维亚·霍尔特,康纳·斯温德尔,彼得·塞拉菲诺威茨,露茜·彭奇,帕皮·德雷顿,艾德·基尔,詹姆斯·德莱顿,卡伦姆·西维耶,Diane Spencer,Alara-Star Khan,盖·罗宾斯,Elizabeth Bower,皮埃尔·伯格曼,Aylin Scott,斯图尔特·惠兰,Michael Salami,安娜贝尔·库塔伊,泰勒·沙利文,Belal Sabir,Brooke Henzell
奥利维亚·霍尔特,康纳·斯温德尔,彼得·塞拉菲诺威茨,露茜·彭奇,帕皮·德雷顿,艾德·基尔,詹姆斯·德莱顿,卡伦姆·西维耶,Diane Spencer,Alara-Star Khan,盖·罗宾斯,Elizabeth Bower,皮埃尔·伯格曼,Aylin Scott,斯图尔特·惠兰,Michael Salami,安娜贝尔·库塔伊,泰勒·沙利文,Belal Sabir,Brooke Henzell
徐少强,郜乔,邱彬
菲利普·拉肖,艾洛蒂·丰唐,朱利安·阿鲁蒂,塔雷克·布达里,迪迪埃·布尔东,纳塔莉·贝伊,娜威尔·玛达尼,梅迪·萨东,樊尚·德扎尼亚,爱丽丝·杜富尔,菲利普·杜克斯纳,米歇尔·拉罗克,凯德·麦拉德,萨米·纳塞利,乔·普雷斯蒂亚,诺曼·塔沃,乔伊·斯塔尔
Zlata Adamovská,Tereza Kostková,维罗妮卡·库巴罗娃,耶诺夫法·波科娃,翁德雷·维特希,弗拉迪米尔·波利夫卡,马丁·霍夫曼,波莱克·波利夫卡,Michaela Sodomková,Samuel Gyerták,Aron Vetchý,Antonín Kracik,Petr Vondrácek,大卫·克劳斯,Jitka Bartonícková,雅罗米尔·诺塞克,奥德·马利,Tereza Mackova,Katerina Mlejnková,Kristýna Schwarzov
沃尔特·皮金,琼·芳登,芭芭拉·伊登,彼得·洛,罗伯特·斯特灵
陈凯歌
卓别林
张元
皮亚托·杰米
布莱恩·德·帕尔玛
艾伦·帕克
丁荫楠
李前宽
郑裕玲,梅艳芳,吴孟达,周星驰,吴君如,成奎安,钟镇涛,元华,卢冠廷,元奎,卢宛茵
梁爽,李正国
麦克·辛,马克·阿蒂,吉姆·卡特,马克·斯特朗
丹波哲郎,黒沢年男,司叶子,由美かおる,青木义朗,平田昭彦,小泉博,谷村昌彦,浜村淳
平静的湖畔小镇,疼爱儿子的单亲妈妈早织(安藤樱 饰)、为学生着想的爽直老师保利 (永山瑛太 饰)以及天真烂漫的孩子们本过着安稳的生活,却因为一次校园冲突,发酵酿成轩然大波,惹起社会与媒体的关注。当事态越见严重,竟在一个暴风雨的清晨,两个孩子双双失去了踪影……
在这封写给菲律宾裔美国人社区的情书中,一个男人回家庆祝复活节,他的家人狂欢、争吵、吃喝、欢笑,充满爱。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
克兰西·布朗,马克·哈米尔,汤姆·肯尼,布莱恩·道尔,比尔·法格巴克,劳伦斯先生,埃丝·史佩斯,罗德格尔·邦帕斯,卡罗琳·劳伦斯,道格拉斯·泰特,卡拉·三子,詹姆斯·亨特,Tammy Davis,Arthur Waite,布莱恩·科菲,Leonel Garza,Scott Frenzel,Melissa Kaye Bontempt,阿拉娜·菲利普
安德丽娅·赖斯伯勒,德米安·比齐尔,约翰·赵,林·沙烨,贝蒂·吉尔平,威廉·赛德勒,杰基·韦佛,塔拉·维斯特伍德,佐伊·费什,弗兰基·费森,南希·索瑞尔,乔尔·加兰,布拉德利·索茨基,埃内斯托·格里菲思
久保明,小林夕岐子,高橋厚子
野泽雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野爱,三石琴乃,小野健一,佐伯志,松尾银三,津久井教生,坂本千夏,小杉十郎太
蔡卓妍,陈小春,余文乐,周励淇,韩君婷,林雪,杜汶泽 Chapman To
麦肯娜·格瑞丝,维奥拉·戴维斯,吉姆·加菲根,艾莉森·珍妮,查理·肖特韦尔,米兰·雷,乔安娜·科隆,贝拉·希金伯森姆,迈克·艾普斯,艾什莉·布鲁克,肯尼斯·韦恩·布拉德利,艾迪·帕特森,莫林·布伦南,格温德琳·穆兰巴,詹姆斯·W·埃弗莫尔,露西·阿里巴,小埃里克·贝尔,戈登·德克海默,蒂莫西·辛里奇斯,拉菲尔·卢斯,Kai N. Ture,Ash Thapliyal
约翰·特托罗,伍迪·艾伦,凡妮莎·帕拉迪丝,列维·施瑞博尔,莎朗·斯通,索菲娅·维加拉,托尼娅·皮金斯,迈克尔·巴达鲁科,艾达·图多尔,艾伦·刘易斯·里克曼,马克斯·凯塞拉,洛安·沙巴诺尔
于腾龙,周梓涵,高校铭
比利·斯洛特,戴夫·戴维斯,詹姆斯·摩西·布莱克
奥尔本·勒努瓦,布鲁诺·萨拉曼,Charlie Bruneau,蒂法因·戴维斯,Ahmed Sylla,Patrick Ligardes,Xavier Laurent,Sebastien Vandenberghe,Alexandre Philip,Vincent Debost,Benoît Moret